



🎤 Own your vocal vibe with studio polish at your feet!
The TC Helicon VOICETONE T1 is a compact, USB-powered vocal effects stompbox featuring an automatic adaptive multi-band EQ, smoothing compressor, and de-esser. Designed for live and studio use, it empowers vocalists to control their tone with a single button and can chain with other VoiceTone pedals for expanded effects. Ideal for professionals seeking polished vocal clarity without a dedicated sound engineer.







| ASIN | B00HMQ1D06 |
| Amperage | 0.4 Milliamps |
| Audio Output Effects | Compression |
| Best Sellers Rank | #72,228 in Musical Instruments ( See Top 100 in Musical Instruments ) #42 in Vocal Effects Processors |
| Brand | TC Helicon |
| Brand Name | TC Helicon |
| Connector Type | XLR |
| Controls Type | Knob |
| Customer Reviews | 3.4 out of 5 stars 100 Reviews |
| Global Trade Identification Number | 04033653081078, 05706622011916 |
| Hardware Interface | 1/4-inch Audio |
| Included Components | Vocal Effects Processor, Microphone |
| Item Dimensions | 2.3 x 3.5 x 5.4 inches |
| Item Dimensions L x W x H | 2.3"L x 3.5"W x 5.4"H |
| Item Type Name | VOICETONE T1 Vocal Effects Processor |
| Item Weight | 0.92 Pounds |
| Manufacturer | Music Tribe US |
| Model Name | VoiceTone Single T1 |
| Model Number | VOICETONE T1 |
| Power Source | USB Powered |
| Product Dimensions | 2.3"L x 3.5"W x 5.4"H |
| Signal Format | Analog |
| Style | Compact |
| Voltage | 12 |
| Warranty Description | 1. |
D**R
Allows you to control your vocal performance
I highly recommend this tone pedal for vocal clarity and balance. This pedal allows the vocalist to control the compression and EQ of their own personal vocal performance when a sound-man is not present or available. It puts the vocalist in control of the mix. Great product and very useful.
J**W
No one needs this
Had one of these 5yrs ago and worked fine when I didn’t know how to sing. Once you learn to sing and use eq all these vocal processors get in the way. Turn the reverb down below 1/4 too. Same with acoustic guitar processors. Eq and reverb is all one needs. Used small Yamaha mixer and an old Qsc k12 is the best rig on the planet. Not going into why here. Best acoustic guitar eq is baggs para di. Learn gain stage. Learn to use a mixer correctly. When live mix with gain not faders. Set all faders at noon. Pad the hot stuff down and mix with gain. Vocal gain should be between 2 and 3 o’clock. Highs up lows down. Leave mids alone. Final volume levels should be done on the powered speaker. Mixer master volume at noon to or 1.
A**S
One of my best music equipment investments
This pedal has been a game-changer for me. With the handful of different configurations of audio interfaces, mics and pre-amps that I've used in the past, a persistent challenge was being able to dial in a consistently good incoming vocal signal. The result of that was doing tons and tons of takes, not necessarily because the performance wasn't solid, but because my equipment wasn't always capturing takes well. Getting my current vocal mic (an M-Audio Sputnik) made significant headway, and this pedal is what finally changed that all for the better. With minimal trial and error with the pedal's settings and gain-staging on my audio interface (a Steinberg UR-44), I was able to find a sweet spot where the audio being captured is consistently fuller and more even, allowing me to focus much more on vocal performance rather than wondering if a sub-par setup will cause an otherwise good take to go to waste. If you're a singer, or if you record other singers, I can't recommend this enough. You won't find a better tool for the price.
P**N
Subtle but useful vocal enchantment tool.
This is a very subtle vocal enhancement. It is made for live performance so you don’t over color your tone. What it does well is give a little more definition to your voice. The warm button gives a very warm tone and is a great feature. This is really the only thing on the market like it. It does not correct your tone if you are off pitch so if you are looking for something like that this is definitely not that. Overall I am quite pleased. It will live on my board.
S**E
dead on arrival
Not so much an Amazon critique but a reflection on TC Helicon/Musictribe. Recieved a brand new, unopened unit that was DOA. I wasn't sure if there was something wrong with it, or something wrong with the person trying to operate it. I attempted to contact the manufacturer for advice on the unit after downloading and reading the owners manual. Their website is set up very effectively to deflect and deter this sort of activity. There's not even a web chat option. The only option is to 1. register an account, with more questions than most companies would ask, and they were pretty invasive and 2. create a ticket on more of this awful website, which was obviously designed for employees and a terrible cheap low-cost country front end built for it so they don't have to have pay any employees to actually, like, deal with customers. In TC Helicon's defense, if I knew they were in the Musictribe "family" I honestly wouldn't have even bought the thing. Fortunately, I don't usually have problems with Amazon, and they're taking it back. I'd love to tell you the thing was good, or not-so-good, in this review, but unfortunately, all I can rate it as is "Broken," with a heaping helping of crappy modern corporate customer service. 0/10 can rant all day
F**.
I don't think you'll get anything out there that will make your vocals sound better than this for less than $70
INSTANT IMPROVEMENT on my vocals! I don't think you'll get anything out there that will make your vocals sound better than this for less than $70. I'm using this in combination with a Shure BETA87C Condenser Cardioid microphone. There is no switch for phantom power on or off, which makes a lot of people hesitant, so let me clarify this myth for you: if the mic has a balanced output, and is wired correctly, even if the mic is a dynamic or ribbon type, phantom will not hurt the mic. So technically as long as you're not connecting microphones with TS jacks, you should be good. For doing that you would need adapters anyways because the in and out of this pedal is exclusively XLR cannon balanced, so in short, any standard microphone should be fine with this. The shape knob changes the tone from darker to brighter, so if your mic is on the darker side, go all the way up and then down from there. If it's too bright, go the other way around. With my mic, since I record a lot of rock, I set the Comp / De-ess to max and the Shape around 10-11 o'clock, with the Warmth switch on. This is the kind of effect that you only perceive when you turn it off. Only then you can tell the difference. So this in combination with a nice preamp should give you some instant magic. I'm using these in combination with the preamps in the Komplete Audio 6 which I think are nothing short of amazing for the price. I hardly take this much time to write a detailed review but this thing improved so much my vocals it's not even funny. GREAT little toy, going to be using this one in a lot of my professional productions!
S**H
It works! Great for Solo gigs.
Plain and simple, it works. It was easy to setup, adjust and I noticed a significant difference in quality over various PA's. First I used it with a single Alto TS210, then with an IP1000. Not only could I tell the difference, but some musician friends confirmed it after the first gig I used it with. I would highly recommend this to solo musicians. I run this pedal into my mixer, add some reverb there and I'm good to go. Easy and it sounds great. Thanks TC Helicon!
D**X
What Does It Do?
Bought this after some research and used it a few times at band practice. I didn’t see any real advantage when installed. It actually made rehearsal problematic, as it kicked a lot of feedback. Didn’t notice anything in particular to tone or sound when in use.