






🎯 Capture Every Moment Like a Pro — No Compromises, Just Clarity.
The Sony SEL2470GM is a premium full-frame E-mount zoom lens featuring a versatile 24-70mm focal range with a constant f/2.8 aperture. Engineered with advanced XA and ED glass elements, it delivers exceptional sharpness and minimal chromatic aberration. Its Direct Drive Super Sonic wave Motor ensures fast, silent autofocus ideal for both stills and 4K video. Designed for professionals and enthusiasts alike, this dust and moisture resistant lens combines rugged build quality with refined optical performance, making it the go-to choice for portraits, events, and travel photography.







| ASIN | B01BESQYJW |
| Best Sellers Rank | #114 in SLR Camera Lenses |
| Brand | Sony |
| Built-In Media | ALC-SH141 Petal-Shaped Lens Hood, Case, Lens front cap (ALC-F82S), Lens rear cap (ALC-R1EM), Sony FE 24-70mm f/2.8 GM Lens, Warranty |
| Camera Lens | Sony 24-70 gm lens (Black) |
| Camera Lens Description | Sony 24-70 gm lens (Black) |
| Color | Black |
| Compatible Camera Models | Sony A6100, Sony A6600, Sony A7 III, Sony A7R IV |
| Compatible Camera Mount | Sony E |
| Compatible Mountings | Sony E |
| Customer Reviews | 4.6 out of 5 stars 597 Reviews |
| Exposure Control Type | Manual, Automatic |
| Focal Length Description | 24-70mm |
| Focus Type | Manual Focus |
| Global Trade Identification Number | 00027242895065 |
| Image stabilization | Optical |
| Iso Range | 100-32000 |
| Item Weight | 1.95 Pounds |
| Lens | Standard |
| Lens Coating Description | Includes Manual Focus |
| Lens Design | Zoom |
| Lens Fixed Focal Length | 35 Millimeters |
| Lens Mount | Sony E |
| Lens Type | Standard |
| Light Sensitivity | 100-32000 |
| Manufacturer | Sony |
| Maximum Aperture | 2.8 f |
| Maximum Focal Length | 70 Millimeters |
| Media Type | ProductImage, EnhancedContent |
| Minimum Aperture | 22 |
| Minimum Focal Length | 36 |
| Model Name | SEL2470GM |
| Number of Diaphragm Blades | 9 |
| Real Angle Of View | 84 Degrees |
| Shooting Modes | Manual, Automatic, Portrait, Landscape, Sports, Night mode |
| UPC | 027242895065 716053674333 |
| Video Capture Format | MP4 |
| Video Capture Resolution | 4K (3840 x 2160) |
| Viewfinder Type | Electronic viewfinder |
| Warranty Description | 1 year coverage for labor, 1 year coverage for parts |
| Water Resistance Level | Water Resistant |
| Zoom Ratio | 2.92:1 |
D**W
A zoom lens that performs better than some primes
While the size and cost of this lens can't be ignored, the quality and versatility also stand out. I normally post pictures, but there are already tons of sample pictures out there. Pros - The image quality is excellent and paired with the A7RIII, I was able to get some really great shots - The build quality seems very sturdy, and my copy of the lens seems to be very good (which may speak to quality control by Sony) - The zoom ring is quite firm, which keeps the lens from creeping. - Nice to have the zoom lock feature when you need it - Nice and sharp wide open, and throughout the zoom range (You can see a difference wide open at the end of the zoom range, but the photos are still very good) - After shooting a little with this lens, and taking about 100 pictures, very few of them had any chromatic aberration. In post, I only needed to correct for this in a few photos. Cons - The size and weight are quite significant, and pretty much take away any size advantage that the mirror-less A7RIII might have had over another DSLR - The focus is by wire, so you don't get the same smooth focus-ring feel. - While the A7RIII has IBIS, I would really like to see image stabilization here for the cost and size - Speaking of price... $$$ Conclusion If you are looking for a pro lens, and don't mind carrying it around, then this lens is great. Extremely sharp for a zoom and correcting any chromatic aberration, or lens distortion was easily handled in Lightroom. If you are looking to get a standard zoom for your Sony mirror-less, this is a great option.
T**T
Everything People Say It Is And More!
Sony has really set a new precedent with their GM glass and this really showcases it. They've somehow figured out how to encapsulate all of the desirable optical qualities you'd get with a very good prime into a zoom. Previously, I wouldn't have even considered shooting a zoom for anything really important, but this lens changed all that. Even the bokeh is pleasant and very usable. It's great not having to lug 5 lenses around with me everywhere I go and risk getting dust on the sensor when I'm changing them. It's also refreshing having the freedom to focus solely on the photography side of things without having to worry about the equipment. I've heard people call this lens heavy, and it's no lie. It is is among the heavier ones I've used. You can feel the quality of its construction in it's sheer density and mass. With the grip, it's not badly balanced, but without it, I don't know how I would manage it. That's really the only caveat that comes with this lens that I've found so far - you've got to possess the strength to wield it. Autofocus is very fast on my A7rii, but insanely fast on the A7riii. the colors are very nice, a bit on the cool side, which I prefer, and contrast is excellent. It's also a very sharp lens, even at f/2.8. I also own the 28-105mm G now and I'd say this one is a bit better optically, at least to my taste. If being able to push the bokeh further and having that extra 1.2 stops of light matters to you, I'd go with this one. If having the extra range and a slightly lighter lens is a top priority, then opt for the 70-105. Or you can always buy both of them, because they're both amazing in their own ways. Lol
K**E
Photographers, BUY IT!
I mean, WOW. I am seriously in love with this lens. I’ve used many lens brands in the past, which include the stock Sony lens which came with the camera I purchased and a Sigma lens. NOTHING COMPARES TO THIS ONE! The Sony G Master series is by far out of this world. The crisp photos are perfection. I’m in complete awe. As a photographer and business owner, it is so important to have the right products. This camera has blown my work out of the park and makes me stand out as a sole photographer. I’ve attached some photos for reference!
D**E
If you're an Event Photographer this lens is a must
I'm a Sony shooter and I love their products. The first few years I shot with only APS-C (Crop frame cameras). This year I graduated to the Full Frame A7R3 and I haven't looked back. This is the second G-Master lens I purchased (I have the 70-200). I rented this lens last month for a party and I was blown away. Previously I was only using my Sigma 35mm 1.4 as a general all around purpose lens. I cannot lie - Sigma has stepped their game up with their Sony lenses. As I'm typing this the Sigma 24-70 is in the process of being released and is on back order with many Camera shops. I was on the fence but then I realized that Sigma often have great images, their Auto Focus is not as reliable or quick as the Sony's. So that played a huge factor as I mostly will use this lens for events or general purpose photography. The quality of G-Master lenses are second to none with Sony cameras. Although this lens was CRAZY EXPENSIVE it is truly a beast and as of the moment it is totally worth it. I hate that I missed the Amazon deal of paying for this over 5 monthly payments. Pros Excellent build quality Great images Additional buttons Fast glass Cons Super expensive Heavy But if you want the best, I feel comfortable paying for it (at least for what I can afford). I love this lens and you will too. I'm anxious to use it on my next gig this weekend.
H**E
Perfect.
Works great!
M**J
Bought as a gift, they love it!
Bought this for my grandson at his request as he has taken up photography, and he stated it is "the best lens of all time"...may be a bit of hyperbole, however those were his exact words. LOL
P**.
An expensive broken paperweight
I typically don’t like to leave very long reviews but in this case, I think it deserves an exception. My lens broke after about 10,000 shutter count, which for camera mileage it’s pretty much new. Physically the lens is in brand new condition, not a single scratch or dent or scuff, but to Sony none of that matters. They will make you jump through hoops and different departments, spending hours on the phone, or email, just at the end of the day to be told you’re on your own. Please make the wise decision and don’t repeat my mistake of going with Sony for lenses, I would name the competitor that I would choose instead, but then this review would come off as I am trying to sell you on the other company, so I will just leave it at, Shop with another manufacturer, not Sony, because they will not care nor will they provide you any sort of support if you have a broken lens that physically looks like it is brand new and broke due to no fault of your own.
T**R
the pictures are so good that my co-workers have asked me to share the ...
First of all, the pictures are so good that my co-workers have asked me to share the details of my new lighting setup. All I did was replace the Sony A7II kit lens with this lens and started shooting with it rather than my Canon T4i with the 17-55mm f/2.8 lens. It's nice and sharp. I usually shoot at f/2.8 or all the way up to f/16. One thing that I noticed is that the color of the image completely changes when I switch to f/16 and the distortion is completely out of hand on the edge of the frame. For this reason, I'm waiting for the new Sigma 24-70mm f/2.8 Art lens to be released. My experience with Sigma Art Lenses is that there is minimal distortion. We'll see. However... One unexpected, absolute win that will make it hard for me to ever give up this lens, is the custom button. It's sped up my workflow. Cut my shooting time in half. That one extra button has allowed me to set up all the features I use so that I don't have to deal with the nightmarish menus system at all during a shoot. I've now got all the patterns memorized so that I can change the focus type/points without looking at the camera. Since the Sigma won't have that, it may add too much time to my shoots. Another benefit is the focusing. I've owned both the Sony A7II and the A6300 (which I sold as a favor, it is a great camera). The issue I had with both camera's and their kit lenses is that the focus was wildly inconsistent. The camera's would totally whiff many times in a row and I had to take way more pictures than needed to insure that I had a enough shots. There were pictures where literally nothing in the shot was in focus. The G Master hasn't done that yet and I've taken 3000 - 5000 pictures with it. The lens is great. Pros: -Stunning image quality -Accurate focus -Nice out of focus areas - haven't seen the bokeh balls yet, but I like the way the background melts away and the subject is isolated -Feels solid -Custom button - my favorite feature Cons -Heavy - Called one reviewer a whimp for complaining that you wouldn't be able to go fifteen minutes with this lens before your arms wearing out. Well, I lasted about six hours over the course of two days before my arms were burning. I'm used to the weight now, but my arms were on fire by the end of that second day. -Distortion - At f/16 the distortion is just ridiculous on the edges of the frame. I now know to keep everything in the center and crop. The correction in Adobe Lightroom and Capture One is totally unacceptable. Compared to the Sigma 18-35mm f/1.8 Art or the Canon 17-55mm f/2.8, the distortion is absurd. -Crazy Colors - I've literally taken shots back to back, no setting change, and seen a color shift in the image. Boggles my mind. The color shift that occurs when switching from f/2.8 to f/16 is acceptable, because I use mixed lighting all the time, so I just re-balance the color. When there's a shift without changing the settings or moving, however, I just don't understand that.
TrustPilot
1 周前
5天前