---
product_id: 4390633
title: "Day After Tomorrow"
brand: "joan baez"
price: "NT$2132"
currency: TWD
in_stock: false
reviews_count: 23
category: "Music"
url: https://www.desertcart.tw/products/4390633-day-after-tomorrow
store_origin: TW
region: Taiwan
---

# Day After Tomorrow

**Brand:** joan baez
**Price:** NT$2132
**Availability:** ❌ Out of Stock

## Quick Answers

- **What is this?** Day After Tomorrow by joan baez
- **How much does it cost?** NT$2132 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.tw](https://www.desertcart.tw/products/4390633-day-after-tomorrow)

## Best For

- joan baez enthusiasts

## Why This Product

- Trusted joan baez brand quality
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## Description

Product Description
        	
        	
        		
        			2008 marks Joan Baex 50th anniversary as a recording artist. The album was produced by the legendary Steve Earle. Joan gives her distinct interpretations to songs from Tom Waits, Elvis Costello, Steve Earle, Patty Griffin and more. Razor and Tie.
				    	
					
        		
        		
        	
        
        	
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        			Fifty years after the start of her career, Joan Baez remains as committed to her twin muses of art and politics as ever. On Day After Tomorrow, her stunning collaboration with Steve Earle, she continues to find and interpret some of the finest contemporary songs of social injustice and spiritual salvation, often showcasing the work of others, much as she did Bob Dylan in his salad days. Earle, who sits in the producer&apos;s chair, plays guitar, sings occasional harmony, and contributes three songs (including the stirring &quot;I Am a Wanderer&quot;), has assembled a perfect clutch of players, yet all here, including Earle, stay out of the way and bow to Baez. 67 years old at the time of recording, Baez is always compelling, bringing the weight of her lifetime of activism to each song. She shines brightest on Tom Waits&apos; heartbreaking title tune and on Jones&apos;s wrenching &quot;Henry Russell&apos;s Last Words,&quot; the real-life tragedy of a miner. One of the beauties of this effort is that in keeping Baez utterly modern in the choice of material and the employment of acoustic instruments and simple production values, Earle has also made a record that returns her in spirit and message to her great albums of the &apos;60s. Inspired, and inspiring. -&#x2013; Alanna Nash

## Images

![Day After Tomorrow - Image 1](https://images-na.ssl-images-amazon.com/images/I/51Br9tLblVL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 







  
  
    Fitting recording for fifty years' worth of work
  

*by R***E on Reviewed in the United States on September 17, 2008*

This is Joan Baez' 50 year anniversary recording music and her 24th studio recording.  Yes, her voice has aged and mellowed, but I still love her as an alto as much as I did a soprano.Joan Baez and Steve Earle are an interesting combination indeed.  This wasn't the match I'd have picked, but they work beautifully together.  Earle adds an earthy touch to Baez that fits her deeper, lower voice.Baez and Earle have done a splendid job picking a lineup of songs from the best of today's composers."Requiem", which was written and sung originally by the amazingly talented Eliza Gilkyson, was originally written for the tsunami, but the words reflect the pain we've recently experienced from the hurricanes as well.Of course, there would be a song about Iraq.  The title song, "Day After Tomorrow" written by Tom Waits, is one of the strongest narratives of what it's like to be a soldier.You'd think mining songs wouldn't be that topical anymore.  "Henry Russell's Lament" which is the story of a trapped miner, will break your heart."Jericho Road" is another winner.  It's a minimalist Gospel ballad with a lead and responding chorus that will instill the song in your memory for years to come.My only gripe is at 37 minutes and 10 songs, this CD ends too soon and feels a bit short for me.Rebecca Kyle, September 2008

### ⭐⭐⭐⭐ 







  
  
    Joan Baez Keeping Current With The Times
  

*by J***R on Reviewed in the United States on February 21, 2009*

First I have to say that with the kind of love some people express in their reviews it's better to go into a nunnery. I personally found the album very enjoyable. At 67 she's obviously not going to have the voice she had singing Wagoners' Lad. I particularly enjoyed God is God, Rose of Sharon and Scarlet Tide. Her voice still has the timbre and richness that makes it immediately identifiable. As for the song selections, well people grow and their sometimes their taste change. I think she challenges you to grow in your musical taste as she has grown in hers. Most people probably don't remember when Bob Dylan went 'electric' and the furor that caused. He lost some of the old audience but garnered a completely new one and eventually some of the old fans came back as their musical taste grew. A real musician takes chances with their music. She has done that and while I would still love her to do an old folk album I appreciate where she is now. Hopefully she still has one album left before she retires.

### ⭐⭐⭐⭐⭐ 







  
  
    Snow Drifts
  

*by L***G on Reviewed in the United States on November 9, 2008*

"Day After Tomorrow" is an excellent Baez disc IMHO!  Her song selections continue to be powerful.  Her voice, while weathered, remains expressive and powerful.  Patty Griffin's "Mary" has a lovely melody that Baez embodies completely as she finds inspiration from the example of the mother of Jesus, "Every time the snow drifts, every time the sand shifts, even when the night lifts, she's always there."  Eliza Gilkyson wrote two tracks that Baez recorded.  "Rose of Sharon" was originally on Eliza's CD Redemption Road.  Steve Earle's acoustic guitar compliments Baez's voice that brims with emotion, "Rise up my love & come away, the rain is over & gone, you are the fruit of my darkest day."  "Requiem" from Gilkyson's Paradise Hotel is masterfully sequenced after "Mary" as Baez combines the same persona to arrive at a statement of hope, "In the dark night of our soul, bring some comfort to us all."  Particularly moving to me is Baez's version of "Henry Russell's Last Words" that introduces the "Mary" image with "Oh how I love you Mary."  The track takes me closest to Baez's early folk days with its slow progression & Tim O'Brien's bouzouki giving a quaint and somber feel.  "Day After Tomorrow" is a strong set, masterfully compiled & admirably performed.  Bravo!

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*Product available on Desertcart Taiwan*
*Store origin: TW*
*Last updated: 2026-03-21*