---
product_id: 92695148
title: "The Dark Knight (4K Ultra HD)"
price: "NT$2383"
currency: TWD
in_stock: true
reviews_count: 13
url: https://www.desertcart.tw/products/92695148-the-dark-knight-4k-ultra-hd
store_origin: TW
region: Taiwan
---

# The Dark Knight (4K Ultra HD)

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desertcart.com: The Dark Knight (4K Ultra HD) : Movies & TV

Review: A brilliant crime-drama - The Dark Knight is my favorite movie of all time. Ever since I saw it six years ago on TV (having somehow missed it in theaters) I have been in love with it. Batman was already my favorite superhero growing up, and seeing a reinterpretation of him like this was unbelievable. Somehow, Christopher Nolan made a crime-drama about Batman. He took characters like Commissioner Gordon, the Joker, and Harvey Dent, and put them into a thrilling film of order, anarchy, justice, hypocrisy, and what it really means to be a hero. After the events of the first film, Batman is now the bane of organized crime. Criminals are afraid to go out at night and with the charismatic new district-attorney Harvey Dent's help Gotham City is safer than ever. The police have Batman on their side so to counter him the mob enlists the help of the Joker, a homicidal maniac with no rhyme or reason to his actions. He quickly begins taking over the city, setting up a series of impossible moral dilemmas which he thinks will prove that deep down everyone is as bad as he is. Unlike Ra's al Ghul and Bane, the Joker's plans throughout the film are incredibly well thought out. His insanity makes him unpredictable and willing to go to any limits. The story is incredibly well-paced from beginning to end, and there is never a dull or unnecessary moment. It also manages to reject most, if not all, of the cliches and tropes often seen in movies about superheroes. As I said, this is more a crime-drama than a superhero film. The pacing, story, and ending are unlike anything you would ever see in a Spider-Man movie. It explores several interesting themes as well, the most prominent of which is order vs. chaos. Batman and the Joker are total opposites in every sense of the word, which is what makes them such good enemies. My favorite scene is when Batman sits down and talks with the Joker in an interrogation room. This scene perfectly shows their differences and complex relationship. The film also manages to give the Joker an understandable motivation for his actions. He sees society as hypocritical and more cruel than they'd like to think. The example he gives is that if he were to tell the public a gangster would get shot or a truck load of soldiers would be blown up nobody would panic, but if he threatens to kill the mayor everybody gets scared. As depressing as it is, he's right. Most people don't really care about terrible things happening until it affects them. While the Joker's actions are unforgivable, his motivation is understandable and makes him a very believable villain. The cast is amazing. While Christian Bale isn't my favorite Batman, he does do very well here. Aaron Eckhart gives what I think is a very under-appreciated performance as Harvey Dent. Gary Oldman is fantastic as always in the role of Commissioner Gordon. But, of course, the show-stealer here is Heath Ledger as the Joker. Some people have claimed if Ledger hadn't died before release, his performance wouldn't have received nearly as much praise. I disagree. The first time I saw this film I had no idea he had died, and his performance amazed me. Ledger was unrecognizable as the Joker. Watching it I really believe he's a deranged psychopath, and there are moments where he is genuinely frightening. The soundtrack is fantastic. In action scenes, the music is intense and heart-pounding. In calmer scenes, it's very subtle while still building suspense. The visuals are all great as well, due in large part to Nolan's dedication to practical special effects. I watched the film with my girlfriend, and when I told her that the scene where a large delivery truck is completely flipped over was actually done without computer effects, she was stunned. The cinematography is great, although there are a few actions scenes I think would have been better if the camera hadn't been so close. This blu-ray came with quite a lot of bonus features, and I will update this review as I watch them. The movie arrived on time and in perfect condition. This is my first blu-ray steelbook and I am in love with it. The quality of the case (both inside and outside), the pictures used (front, back, and inside), all of it looks fantastic and I plan on finding a way to display it rather than just stick it on my shelf. It is worth noting that when I first opened the case, the second disc partly popped out. It doesn't appear to have any scratches but it could have. Also, there was one point where the movie became choppy and skipped a few seconds. It only happened a couple times, both happening in the span of just ten seconds, so it isn't a major problem. However I have never had this happen before and it did make me nervous. This is probably the most praise-heavy review I have ever written (which is saying a lot). I usually try to include differing opinions, but this movie is too important to me. No it's not perfect. I've heard people give reasonable and understandable criticisms of this movie. However, none of them matter to me in the slightest. The Dark Knight is my favorite movie of all time, and I recommend everyone watch it as soon as possible.
Review: Heroic Masterpiece - It's nice to know that a film with such high expectations has finally met them. It's record-breaking box office sales certainly do serve to highlight this very thing, having raked in $66.4 million on its opening day and accruing a whopping total of $155 million its opening weekend, breaking both records set by 2007's "Spider-Man 3". With five scenes filmed with IMAX cameras, the untimely death of one of its lead actors and talk of the film being THE summer blockbuster of 2008, it makes one want to buy that extra-large tub of popcorn because it's worth the experience. And experience it you will. "The Dark Knight" has set a new precedent for comic book movies and fan boys everywhere will be gushing praise for Christopher Nolan's artsy and dignified portrayal of one of the oldest and most classic hero-villain combos of all time. The movie kicks off with, appropriately enough, a bank heist, Nolan gearing his audience up for the ride of their lives. The perps are donning ghoulish clown masks as they spray gunfire about the building and load up cash from the vault. As they scramble to make their getaway, one by one they systematically kill each other, their group impregnated with a sinister paranoia. Ultimately there is just one left standing at the end of it all and he makes a grand exit in a school bus, disappearing into the traffic-riddled metropolis whilst law enforcement arrives moments too late. Meanwhile, under the assumption that Gotham's most serious threats are now subdued and/or gone (Ra Al Ghul and the Scarecrow from "Batman Begins"), Batman seeks to share the load by joining forces with Lt. Jim Gordon (Oldman) and District Attorney Harvey Dent (Eckhart), the man whom Bruce Wayne would most like to appoint as Gotham's new and legitimate savior. Gordon's and Dent's staunch approach to upholding the law is just what the city needs in order to dismantle its organized crime, but their dynamic triumvirate proves to be no match for the machinations of a criminal mastermind known only to the public as The Joker. In the instant that the Joker appears, he makes his demands known to the criminal underworld and then proceeds to swoop in and take what he wants by force, despite their refusal to collaborate. Unlike the parasitic monsters that had plagued Gotham in the past, The Joker is after a much bigger prize: the capitulation of Batman and the subsequent surrender of Gotham's citizens to his inconstant wiles. In his fight to stop him, Batman will come face to face with good and evil and in the end has to choose between maintaining the delicate equilibrium of Gotham or romancing the unattainable. Director Christopher Nolan (who co-wrote the script with his brother Jonathan, the man responsible for the story behind 2000's "Memento") strayed from Burton's gothic surrealism and instead created a brooding and subdued metropolis in the previous film (Batman Begins); he continues this sultry but perilous landscape in "The Dark Knight" and this is the feel that "Batman" was meant to have all along. An original score by James Newton Howard (The Sixth Sense) and Hans Zimmer (Gladiator) breathes even more life into the enthralling action, and with Wally Pfister's superb cinematography and effective editing from Lee Smith, Nolan and crew have created a perfectly-paced, heart-stopping thriller that will have you completely oblivious to its 2 hour and 30 minute time frame. Christian Bale is the best of the caped crusaders yet, his personification of Bruce Wayne the enigmatic and somber soul that has always been portrayed within the pages of DC Comics. Where Burton never dared to venture, Nolan has Bruce Wayne savoring his elite businessman lifestyle by cavorting around with beautiful women (at one point, Wayne is aboard a yacht with the entire female entourage of the Russian ballet). I'm sorry to say however that Bale, despite being a great actor, is overshadowed not only by Ledger's spectacular turn as the Joker but also all the mystic buzz that Ledger's death inspired. Despite it all, he gives Batman/Bruce Wayne grace and dignity, along with an emotional wound that serves to once again spur his waning battle against terror. Maggie Gyllenhaal, as said by many critics, is an improvement over the bland Katie Holmes (though I'm sure some would've loved to see Holmes sitting in the proverbial "hot seat" near the end of the film); she shows a bit more spunk and tenacity and the chemistry between herself and Bale is certainly more believable. Caine is dignified and sentimental as Alfred (the best Alfred yet) and Morgan Freeman gives another stately performance as Lucius Fox, Batman's highly skilled supplier of all his "wonderful toys". Who really gets a chance to show some diabolical skills is Aaron Eckhart as Harvey Dent, the man who would ultimately become Two-Face. Eckhart's make-up job combined with additional CGI is grotesque and awesome in all its glory, combined with a spellbinding portrayal of a man who becomes as cold-blooded as the psychotic who disfigured him. Credit must also be given for a superb and subtle Gary Oldman as Jim Gordon, the man who would be Gotham's future Commissioner. Though Jack Nicholson was a real hoot as the Joker in Tim Burton's 1989 adaptation, 28-year-old Ledger blows him off the map with an exceedingly strange, devilish and frightening portrayal of madness personified. This Joker is not someone to be trifled with - his "magic trick" involving a pencil will induce shock and disgust, and this is in only the first thirty seconds that he is introduced face-to-face with the audience. Upon further introduction, none will be able to turn their eye from the haphazardly applied make-up which only serves to highlight his disfigurement rather than conceal it, the nasally and freakish intonations, the queer lip-licking and the unpredictability of his reflexive malice. Heather Ledger is, quite simply, marvelous. This will no doubt earn him a posthumous nomination for Best Actor come 2009's Oscars, possibly even a posthumous win (co-star Michael Caine has made a similar statement). That makes watching Ledger cause his audience to shiver that much more bittersweet - it evokes the same "what might've been" sadness that River Phoenix, another young promising talent, did with fans when he died suddenly from a drug overdose on Halloween in 1993. I didn't want the movie to end because I knew that there would never be a reprise from this actor so young yet so adept at his craft, let alone a repeat performance of the maniacal Joker in a potential sequel. Bottom Line: A tour-de-force on all levels. Though you be an action fan, a comic book nerd, a movie-goer or simply a fan of the many talented actors and actresses within "The Dark Knight", all elements of the film will have you lying in wait eagerly for a sequel. It just can't get here soon enough.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Customer Reviews | 4.7 out of 5 stars 24,224 Reviews |
| Format | Blu-ray |
| Language | Czech, Hungarian, Italian, Polish, Russian, Spanish |
| Number Of Discs | 3 |

## Product Details

- **Format:** Blu-ray
- **Language:** Czech, Hungarian, Italian, Polish, Russian, Spanish
- **Number Of Discs:** 3

## Images

![The Dark Knight (4K Ultra HD) - Image 1](https://m.media-amazon.com/images/I/7192ui9uMML.jpg)
![The Dark Knight (4K Ultra HD) - Image 2](https://m.media-amazon.com/images/I/81RaDZazLfL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A brilliant crime-drama
*by J***. on April 24, 2015*

The Dark Knight is my favorite movie of all time. Ever since I saw it six years ago on TV (having somehow missed it in theaters) I have been in love with it. Batman was already my favorite superhero growing up, and seeing a reinterpretation of him like this was unbelievable. Somehow, Christopher Nolan made a crime-drama about Batman. He took characters like Commissioner Gordon, the Joker, and Harvey Dent, and put them into a thrilling film of order, anarchy, justice, hypocrisy, and what it really means to be a hero. After the events of the first film, Batman is now the bane of organized crime. Criminals are afraid to go out at night and with the charismatic new district-attorney Harvey Dent's help Gotham City is safer than ever. The police have Batman on their side so to counter him the mob enlists the help of the Joker, a homicidal maniac with no rhyme or reason to his actions. He quickly begins taking over the city, setting up a series of impossible moral dilemmas which he thinks will prove that deep down everyone is as bad as he is. Unlike Ra's al Ghul and Bane, the Joker's plans throughout the film are incredibly well thought out. His insanity makes him unpredictable and willing to go to any limits. The story is incredibly well-paced from beginning to end, and there is never a dull or unnecessary moment. It also manages to reject most, if not all, of the cliches and tropes often seen in movies about superheroes. As I said, this is more a crime-drama than a superhero film. The pacing, story, and ending are unlike anything you would ever see in a Spider-Man movie. It explores several interesting themes as well, the most prominent of which is order vs. chaos. Batman and the Joker are total opposites in every sense of the word, which is what makes them such good enemies. My favorite scene is when Batman sits down and talks with the Joker in an interrogation room. This scene perfectly shows their differences and complex relationship. The film also manages to give the Joker an understandable motivation for his actions. He sees society as hypocritical and more cruel than they'd like to think. The example he gives is that if he were to tell the public a gangster would get shot or a truck load of soldiers would be blown up nobody would panic, but if he threatens to kill the mayor everybody gets scared. As depressing as it is, he's right. Most people don't really care about terrible things happening until it affects them. While the Joker's actions are unforgivable, his motivation is understandable and makes him a very believable villain. The cast is amazing. While Christian Bale isn't my favorite Batman, he does do very well here. Aaron Eckhart gives what I think is a very under-appreciated performance as Harvey Dent. Gary Oldman is fantastic as always in the role of Commissioner Gordon. But, of course, the show-stealer here is Heath Ledger as the Joker. Some people have claimed if Ledger hadn't died before release, his performance wouldn't have received nearly as much praise. I disagree. The first time I saw this film I had no idea he had died, and his performance amazed me. Ledger was unrecognizable as the Joker. Watching it I really believe he's a deranged psychopath, and there are moments where he is genuinely frightening. The soundtrack is fantastic. In action scenes, the music is intense and heart-pounding. In calmer scenes, it's very subtle while still building suspense. The visuals are all great as well, due in large part to Nolan's dedication to practical special effects. I watched the film with my girlfriend, and when I told her that the scene where a large delivery truck is completely flipped over was actually done without computer effects, she was stunned. The cinematography is great, although there are a few actions scenes I think would have been better if the camera hadn't been so close. This blu-ray came with quite a lot of bonus features, and I will update this review as I watch them. The movie arrived on time and in perfect condition. This is my first blu-ray steelbook and I am in love with it. The quality of the case (both inside and outside), the pictures used (front, back, and inside), all of it looks fantastic and I plan on finding a way to display it rather than just stick it on my shelf. It is worth noting that when I first opened the case, the second disc partly popped out. It doesn't appear to have any scratches but it could have. Also, there was one point where the movie became choppy and skipped a few seconds. It only happened a couple times, both happening in the span of just ten seconds, so it isn't a major problem. However I have never had this happen before and it did make me nervous. This is probably the most praise-heavy review I have ever written (which is saying a lot). I usually try to include differing opinions, but this movie is too important to me. No it's not perfect. I've heard people give reasonable and understandable criticisms of this movie. However, none of them matter to me in the slightest. The Dark Knight is my favorite movie of all time, and I recommend everyone watch it as soon as possible.

### ⭐⭐⭐⭐⭐ Heroic Masterpiece
*by S***L on July 21, 2008*

It's nice to know that a film with such high expectations has finally met them. It's record-breaking box office sales certainly do serve to highlight this very thing, having raked in $66.4 million on its opening day and accruing a whopping total of $155 million its opening weekend, breaking both records set by 2007's "Spider-Man 3". With five scenes filmed with IMAX cameras, the untimely death of one of its lead actors and talk of the film being THE summer blockbuster of 2008, it makes one want to buy that extra-large tub of popcorn because it's worth the experience. And experience it you will. "The Dark Knight" has set a new precedent for comic book movies and fan boys everywhere will be gushing praise for Christopher Nolan's artsy and dignified portrayal of one of the oldest and most classic hero-villain combos of all time. The movie kicks off with, appropriately enough, a bank heist, Nolan gearing his audience up for the ride of their lives. The perps are donning ghoulish clown masks as they spray gunfire about the building and load up cash from the vault. As they scramble to make their getaway, one by one they systematically kill each other, their group impregnated with a sinister paranoia. Ultimately there is just one left standing at the end of it all and he makes a grand exit in a school bus, disappearing into the traffic-riddled metropolis whilst law enforcement arrives moments too late. Meanwhile, under the assumption that Gotham's most serious threats are now subdued and/or gone (Ra Al Ghul and the Scarecrow from "Batman Begins"), Batman seeks to share the load by joining forces with Lt. Jim Gordon (Oldman) and District Attorney Harvey Dent (Eckhart), the man whom Bruce Wayne would most like to appoint as Gotham's new and legitimate savior. Gordon's and Dent's staunch approach to upholding the law is just what the city needs in order to dismantle its organized crime, but their dynamic triumvirate proves to be no match for the machinations of a criminal mastermind known only to the public as The Joker. In the instant that the Joker appears, he makes his demands known to the criminal underworld and then proceeds to swoop in and take what he wants by force, despite their refusal to collaborate. Unlike the parasitic monsters that had plagued Gotham in the past, The Joker is after a much bigger prize: the capitulation of Batman and the subsequent surrender of Gotham's citizens to his inconstant wiles. In his fight to stop him, Batman will come face to face with good and evil and in the end has to choose between maintaining the delicate equilibrium of Gotham or romancing the unattainable. Director Christopher Nolan (who co-wrote the script with his brother Jonathan, the man responsible for the story behind 2000's "Memento") strayed from Burton's gothic surrealism and instead created a brooding and subdued metropolis in the previous film (Batman Begins); he continues this sultry but perilous landscape in "The Dark Knight" and this is the feel that "Batman" was meant to have all along. An original score by James Newton Howard (The Sixth Sense) and Hans Zimmer (Gladiator) breathes even more life into the enthralling action, and with Wally Pfister's superb cinematography and effective editing from Lee Smith, Nolan and crew have created a perfectly-paced, heart-stopping thriller that will have you completely oblivious to its 2 hour and 30 minute time frame. Christian Bale is the best of the caped crusaders yet, his personification of Bruce Wayne the enigmatic and somber soul that has always been portrayed within the pages of DC Comics. Where Burton never dared to venture, Nolan has Bruce Wayne savoring his elite businessman lifestyle by cavorting around with beautiful women (at one point, Wayne is aboard a yacht with the entire female entourage of the Russian ballet). I'm sorry to say however that Bale, despite being a great actor, is overshadowed not only by Ledger's spectacular turn as the Joker but also all the mystic buzz that Ledger's death inspired. Despite it all, he gives Batman/Bruce Wayne grace and dignity, along with an emotional wound that serves to once again spur his waning battle against terror. Maggie Gyllenhaal, as said by many critics, is an improvement over the bland Katie Holmes (though I'm sure some would've loved to see Holmes sitting in the proverbial "hot seat" near the end of the film); she shows a bit more spunk and tenacity and the chemistry between herself and Bale is certainly more believable. Caine is dignified and sentimental as Alfred (the best Alfred yet) and Morgan Freeman gives another stately performance as Lucius Fox, Batman's highly skilled supplier of all his "wonderful toys". Who really gets a chance to show some diabolical skills is Aaron Eckhart as Harvey Dent, the man who would ultimately become Two-Face. Eckhart's make-up job combined with additional CGI is grotesque and awesome in all its glory, combined with a spellbinding portrayal of a man who becomes as cold-blooded as the psychotic who disfigured him. Credit must also be given for a superb and subtle Gary Oldman as Jim Gordon, the man who would be Gotham's future Commissioner. Though Jack Nicholson was a real hoot as the Joker in Tim Burton's 1989 adaptation, 28-year-old Ledger blows him off the map with an exceedingly strange, devilish and frightening portrayal of madness personified. This Joker is not someone to be trifled with - his "magic trick" involving a pencil will induce shock and disgust, and this is in only the first thirty seconds that he is introduced face-to-face with the audience. Upon further introduction, none will be able to turn their eye from the haphazardly applied make-up which only serves to highlight his disfigurement rather than conceal it, the nasally and freakish intonations, the queer lip-licking and the unpredictability of his reflexive malice. Heather Ledger is, quite simply, marvelous. This will no doubt earn him a posthumous nomination for Best Actor come 2009's Oscars, possibly even a posthumous win (co-star Michael Caine has made a similar statement). That makes watching Ledger cause his audience to shiver that much more bittersweet - it evokes the same "what might've been" sadness that River Phoenix, another young promising talent, did with fans when he died suddenly from a drug overdose on Halloween in 1993. I didn't want the movie to end because I knew that there would never be a reprise from this actor so young yet so adept at his craft, let alone a repeat performance of the maniacal Joker in a potential sequel. Bottom Line: A tour-de-force on all levels. Though you be an action fan, a comic book nerd, a movie-goer or simply a fan of the many talented actors and actresses within "The Dark Knight", all elements of the film will have you lying in wait eagerly for a sequel. It just can't get here soon enough.

### ⭐⭐⭐⭐⭐ The Greatest Superhero Film Of Our Time.
*by M***S on November 25, 2009*

When is a movie more than a movie? When it can transcend the very genre it's in and becomes an event, something that can cause people to think, to talk, to debate, to embrace it so much you feel you need to see it again and again because you feel you missed something the other ten times you saw it. "Gone with the Wind", "The Wizard of Oz", "Star Wars", "The Lord of the Rings" films....all great event films. Add Christopher Nolan's "The Dark Knight" to this list. As a lifelong fan of comic book superheroes, there are quite a few that i've taken to my heart: Superman, Spiderman, The Fantastic Four, X-Men,the Hulk, etc, etc. I've always loved Batman. Even through the numerous comics, which i still read to this day, the cartoons, even the campy 60s tv series, as well Tim Burton's great, dark reimagining of the mythos in the late 80s, Batman remains one of my all-time favorites. What Nolan has created with "The Dark Knight" cant truly be put into a few, simple sentences. Impossible. This film is one of the few true definitions of a masterpiece. It's intelligent, cold, unrelenting, extremely dark and at times disturbing and it's these adjectives that, for me, make it perfect. In the brilliant "Batman Begins", Nolan dissected and broke down the origin of The DC Comics vigilante, giving us a glimpse of the very twisted, emotional elements that drove one man to assume the identity of a creature of the night. He presented this as a character study of a man, seemingly normal on the outside, with wealth, power, and influence, yet tortured, driven, disturbed, trying to find a way to unleash his demons upon those who live to choose to break the law and destroy the moral fabric of "society". In "The Dark Knight", we go a few levels further....into the very bowels of HELL. This time, Batman struggles not just with the questionable choices he has made to protect Gotham City, with many people divided over how they feel about his presence, he also must face a new criminal who spreads anarchy and uncontrolled chaos all over town, the Joker. Now, we all know much has been written and said about the late Heath Ledger's portrayal of the Joker....BUT HE'S SOOOO GODDAMN BRILLIANT!!!! This is the Joker the way he should be portrayed. As much as i loved Jack Nicholson's Joker from Burton's '89 film, hes a punk compared to what Ledger created. Ledger's Joker is cold, calculating evil in its purest form....a man so unfeeling, so depraved, so demonic...he doesnt commit crimes for reward, notoriety, or what we'd consider intimate pleasure; he does because he simply wants to, plain and simple. He sees the world as a place to be broken and manipulated, consequences be damned. Scary, aint it? Think of the killers of Columbine, or V-Tech, even the Unabomber. Even Satan. No conscience. Evil for evil. Ledger won a very deserved posthumous Oscar for his work. The great Christian Bale is the ultimate Batman for our time. Driven, dark, cold-blooded but not without a sense of honor. He digs deeper into the psychology of Bruce Wayne, creating a portrait of someone fighting a war he might never win, a war that creates more demons and more pain than he can stop, yet doesnt give in to the monsters he opposes. Bale and Ledger are magnificent together. As great as they are, its the supporting performances that help them shine. Overall, theres not a bad performance from anyone, AT ALL. Only the best caliber of actors dominate this film. Gary Oldman's Detective James Gordon is a picture of powerful moral conviction and simple passion as he stands by Batman in the fight against crime; Michael Caine's Alfred is the deep, fatherly, yet caring voice of no-nonsense reason to Wayne/Batman; Maggie Gyllenhall makes a more intense Rachel Dawes than Katie Holmes; Morgan Freeman is dignity personified as Lucius Fox. Special mention should be made, though, for Aaron Eckhart, who plays D.A. Harvey Dent/Two Face. Like Batman and Gordon, he wants to wipe out crime in Gotham City, yet he suffers from a fatal flaw: he's idealistic. Its this flaw that the Joker will exploit and twist and ultimately damage, and it leads to Dent becoming Two Face, a scarred, deranged, hopeless man broken and twisted almost as much the Joker himself. There are no easy answers in this film, with its nihilistic view of good and evil and how sometimes, even good men can be pushed to their moral limits. Thats what i loved about this film. Nothing is simple, nothing is easy, and isnt that the way life is? Films about superheroes are a mixed breed: some are great, some not. I love the original Superman w/Christopher Reeve, and Spiderman, and Bryan Singer's X-Men, yet "Dark Knight" is, to me, the epic for our troubled times. Intelligent, huge, well written and acted. It's a film that in my opinion as a movie-goer, has a 70s style aesthetic that will remind you of the great crime epics of that period like Serpico, Godfather 1 and 2, and even modern ones like Goodfellas and The Departed. Director Christopher Nolan takes his place among the newest generation of filmmakers who dont treat their audiences like simple-minded children. A powerful film from a powerful visionary.

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