ABOUT THE TEACHER: Finis Jhung performed with the San Francisco, Robert Joffrey, and Harkness ballets, on Broadway, and in film, before founding his own Chamber Ballet U.S.A. Now, he is a master ballet teacher, the creator of more than 50 instructional dance videos, and the author of The Finis Jhung Ballet Technique: A Guide for Teachers & Students. ABOUT THE VIDEO: Finis Jhung shows you-count-by-count- how to do the most frequently used center floor movements that travel forward and sideways. Each movement has four exercises, and each exercise has two parts—the instructions and the demonstration—and is shown moving to both right and left, first slowly, then quickly. In addition, you are given detailed instructions on how to use your arms, shoulders and head in order to balance and control the movements of your feet and legs. Each exercise is demonstrated by Antonio Carmena, Soloist of The New York City Ballet. EXERCISES are listed on the back cover of the DVD image above. SPECIAL FEATURE: Play this video in 3 modes: Full Class, Individual Exercises, or Workout Mode where you can run the exercises without instruction
N**.
Basic skills for adult beginner: From Steps--to Movement--to Dance!
I am an adult beginner, with no previous experience of ballet. I have practiced with Finis’s “Absolute Beginner” DVDs for about a year, and the improvement in strength and balance that I have been seeing as a result of that have given me the motivation to try his “Basic Ballet Movement Skills” collection.This first DVD of the series introduces the viewer to three basic steps: Pas de Bourre, Glissade, and Chasse. Each step is taught with different variations of movements that precede and complete the step, and at a different speed. For each step, there is a verbal instruction, followed by a slow, to-a-count demonstration to music, and finally a complete demonstration in real time. As I have come to expect from Finis’s videos, the DVD is packed with information, pleasing aesthetically, and features Finis’s signature thorough-going instruction.One thing that really stood out for me was that, even as Finis is teaching these specific “steps,” all of his instruction was geared, and pedagogically shrewdly paced, to enable “movement”: there is never a simple static position-memorization, but each exercise, building on the one before, leads to a more and more fluid movement across the floor. Even when Finis instructs you in the steps, what he really teaches is DANCING!Aside from the impeccable description, I found it very helpful that Finis pointed out, and Antonio demonstrated, the most common mistakes that people make when performing these movements. I found myself nodding silently, as I thought of the falling-over “pas de bourre”-s and wobbly “glissades” that I myself saw--and committed!--in the past. It was helpful to see these mistakes enacted and analyzed, to understand the correct movement better. I also appreciated the fact that Finis explicitly reflected on the difference between Antonio’s professional ability/physique and those of the amateur viewer: his tips on adjusting the position and movement to account for a less-than-perfect turnout were extremely helpful.In contrast with the “red series,” there is a marked progress in the level of skill. This DVD really takes you on the next level. Finis delves into the proper use of the arms, head, and breathing—and, doing what he says achieves remarkable things to secure the balance and fluidity of movement. He also explains and expects improvement in musicality: mere moving to beat is no longer sufficient; the musical score is syncopated, and so the movement must be.Finally, and almost imperceptibly, Finis is expanding the viewer’s ballet vocabulary (we are introduced to “tombe,” “assemble,” difference between “dessous” and “dessus,” etc.), and he even begins to speak about the characteristic features of different ballet schools (e.g., Balanchine’s emphasis on quickness of movement, proper articulation of the feet, and engaged, “on the attack” quality of dance). This linguistic and cultural elements may appear as not important for the actuality of working out; but Finis recognizes (I think rightly so) that for many adult learners of ballet, the culture and language of the art can never be separated from the movement.So, as before, I am astounded by the breadth, depth, and intentionality of Finis’s teaching. I see myself returning to this DVD again and again—not only for practice, but for reference—and I strongly recommend it to others.
R**Y
you're amazing!
I began ballet training as an adult 4 years ago after seeing a stage production of Billy Elliot, which touched me so deeply because I too wanted to dance when I was a young boy and was prevented from doing so. I have learned SO MUCH from Finis Jhung's DVD's thus far, which have helped me in my classes, and will continue to purchase and study them. Thank you, Finis, you're amazing!
F**3
Finis is a great teacher!
As an adult beginner I have difficulty translating what I have learned and done at the barre to center work. I purchased this DVD to help me between adult ballet classes to smooth out my technique and give me greater confidence. I could not be more pleased with the results. Finis is a great teacher!I will soon be looking for Basic Ballet Movement Skills, Lessons 2 and 3!
M**.
Not for beginners
Not for beginners. Must be emphasized from the beginning
A**R
Ballet Floor basics
This is exactly what I needed, especially with no classes during the summer!
C**K
Three Stars
It's good if you can keep up
J**L
Great instruction! Realized I was doing a lot of ...
Great instruction! Realized I was doing a lot of ballet moves wrong (I just started ballet as an adult).
J**W
Five Stars
Daughter loves it.