Product Description
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Based on the celebrated comic book arc, THE WOLVERINE finds
Logan, the eternal warrior and outsider, in Japan. There, samurai
steel will clash with adamantium claw as Logan confronts a
mysterious figure from his past in an epic battle that will leave
him forever changed.
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In 2013's summer of superheroes, The Wolverine breaks a lot of
rules of the genre and comes out a winner for the most unexpected
of reasons. Both the movie and the man (make that super-man) are
driven by vengeance, anger, and the existential angst of the
whole "with great power comes great blah, blah, blah" thing. But
The Wolverine has a sense of higher responsibility and a quietude
that distinguishes it from the likes of Iron Man 3, Man of Steel,
and even the numerous X-Men movies that forged its legacy. With
Hugh Jackman reprising the role (for the sixth time) that made
him a movie star, The Wolverine is the least like any of its
predecessors for the way it prefers subdued tension and real
dramatic buildup of character rather than all-out frenzied
action. There are plenty of elegantly realized set pieces that
make visual sense and have direct bearing on the story (not
necessarily things that are a priority in other mega-budget
actioners), but the moments of talk and gentler sense of
introspection that director James Mangold carefully oversees are
more important and equally as satisfying. The events of The
Wolverine take place in the aftermath of 2006's X-Men: The Last
Stand, with Wolverine/Logan's grief over the death of Jean Grey
(Famke Janssen) still raw. He's become a hermit somewhere in the
frozen north, still seething with inward rage. The appearance of
a lethal Japanese pixie named Yukio (Rila Fukushima) distracts
him with a message from an old friend who wants to say goodbye.
He's whisked to an idealized, manga-inspired Japan where
billionaire industrialist Yashida (Hal Yamanouchi) is about to
pass on. Logan saved him near the end of World War II (a truly
haunting sequence), a debt Yashida wishes to repay by relieving
Logan of the curse of his immortality and the healing power of
his adamantine s (and claws). Mangold has cited numerous
samurai films as inspiration, and The Wolverine stands out as a
classic eastern western for the thematic elements it incorporates
from Japanese cinema and the iconic American genre. The other
important characters in this cunningly entertaining morality play
are Yashida's beloved daughter Mariko (Tao Okamoto), who battles
ethereal dream encounters with Jean Grey for Logan's heart, and
his evil son Shingen (Hiroyuki Sanada). There's also Yashida's
creepy, statuesque doctor, who we later get to know as Viper
(Svetlana Khodchenkova), another mutant who may actually have the
power to kill Wolverine. The story is loosely based on a popular
Wolverine comic series from 1982 that sets the stage for all the
mythical Japanese elements, including a final battle with a y
adamantine samurai warrior-bot. Another super-cool CGI action
scene is set on top of a bullet train going top speed (believe it
or not, Jackman's enormous, ripped, straining, hyper-vascularized
pecs and neck were not computer-enhanced). The Wolverine is an
unexpected success in the year's blockbuster field for action
that is in service of the story and for a temperament that pays
homage to samurai ronin legends as well as James Bond-style
summer-movie joyousness. That it is 2013's least
superhero-clichéd comic book fantasy is also high praise. And
with The Wolverine still cursed with immortality, there will no
doubt be more praises as the X-Men universe continues to expand
(be sure not to look away before the credits are through). --Ted
Fry