Erasmus, Man of Letters: The Construction of Charisma in Print - Updated Edition Paperback – June 23, 2015

Among the outstanding figures of the Renaissance era was Desiderius Erasmus. A skilled classicist who edited the Greek New Testament that ultimately served as the reference text in the translation efforts for the King John’s Bible, he also coined many of the adages now in common parlance. He corresponded with many of the leading men of his day, including Thomas More, Martin Luther, and a number of popes. With Erasmus, scholars of the Renaissance had an individual who seemed removed from the strife of his own times, scholarly yet worldly, intelligent but commonsensical. An interesting book by Lisa Jardine, Erasmus, Man of Letters: The Construction of Charisma in Print, was recently reissued in an affordable paperback format and makes a compelling argument that this portrayal of Erasmus is one he consciously crafted for himself.It should be clear this book is not a critique of Erasmus in the negative sense. Ms. Jardine clearly admires the Dutch humanist and is impressed by his scholarly efforts. Erasmus in his own lifetime, however, received relatively little academic recognition. After an early teaching position while still a monk, he never again served as a professor. To compensate for the lack of an academic pedigree, he and close friends engaged in heavy correspondence, taking the first drafts for personal reference and later using the edited versions as literary epistles. In this sense, Erasmus cast himself in the mold of the religious figure he admired most, St. Jerome. He would occasionally publish reviews of his own works anonymously (or help guide the reviews of others) in order to gain favorable publicity. The students he mentored, often among the brightest figures in Europe, served as apostles to future generations of Erasmus’ talent long after he died.Erasmus also consciously destroyed certain pieces of correspondence that might have cast him in an unflattering light, or requested that the recipient do so. While a reader today might be shocked at the idea that a celebrity would edit their image with an eye towards posterity, Ms. Jardine shows Erasmus engaged in the practice centuries ago. She must be given substantial credit for her detective work. As she notes early on, Erasmus engaged in constant revising throughout his life. While the editio princeps may be the one reprinted and held in the major libraries, it is the little noted subsequent editions that were tracked down and compared to prove her case.Reading this book, one might as first be inclined to view Erasmus as a bit of a showman. I do not believe that to be the case. The works Erasmus endeavored on, such as his religious or reprinting classical writers, had substantial value, and one unfortunately rarely gains acclaim from merit alone. On the whole, this is a fine biography and academic for those with an interest in the Renaissance or religious studies.

Lisa Jardine, bless her soul, read Erasmus thought up a thesis/theory and then made the facts fit the theory. To be read with great caution.

For any one with philosophical bent.Reading E., seems so modern in many respects.

Book is very good, even to an old Erasmus buff and scholarship sound.