The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate

Be careful. This book could change your life. It changed mine. I read The Empty Space in 1974. I was so blown away by the ideas within this book, I quit my job, moved to a large metropolitan area, and ended up running a theater, directing plays in other theaters, then teaching theater for the next twenty years. What this book does is teach important lessons in creating and appreciating art. Upon rereading The Empty Space, I find some of the writing to be a bit pretentious, but on the whole, the lessons are solid. Whether exploring theater, literature, art, music, or any other creative endeavor, this books shows that experiencing an artistic event can and should be a transformative experience. What is particularly refreshing is it doesn't sugar-coat the arts. There is no formula or how-to instructions on creating good work. Risk is not only encouraged, it is necessary. Brook also shows how the arts can be manipulated to lull and pacify. The four essays/lectures on Deadly Theater, Holy Theater, Rough Theater, and Immediate Theater are as fresh to day as they were 40 years ago. Update - After 50 years, I reread this book. While the examples are somewhat outdated, and in retrospect - speaking as a 73 year old man rather than a 23 year old man, I can see how Brook has placed several qualifiers within the fabric of the text to offset his thoughts. It's a bit arrogant, and self-serving, and he tends to presume that audiences bear a curious responsibility to embrace what they are watching. Plus, he qualifies everything he writes with the phrase on page 140, saying, "this book is already moving out of date." He's right. The examples are dated, but so what? The essential truth comes through, as stated on page, 136. It's all about what remains. Beyond all the deadly, holy, rough, and immediate, what stays with you? For that, you are going to have to read The Empty Space.

This is the most in depth study of the modern theatre bya genius director. His view of NYC theatre being deadlyis, in my experience working off off B'way theater, is spot on.NYC theatre is dead and getting deader since all theyoung actors and directors are being trained by studios who areliving in the past. NYC theatre is at the same dead levelas it was in the 30s, 40s and 50s when The Theatre of theAbsurd playwrights- Beckett, Genet, Pinter, Onesco, Albeeand is described by Andre Gregory and Wally Shawn in theirclassic film My Dinner With Andre, that NYC theatre is controlledby a conspiracy of commercial interests based on money whichkeeps the audience bored and asleep because if you are asleepyou can't say no!

There was some damage on the physical book itself, which was a downer.However, despite being 52 years since its original publishing, The Empty Space identifies many challenging questions about the theatre that are still applicable today. It's a very contemplative piece that warrants occasional pause and process.

This is one of those must haves for THEATRE LOVERS! Interesting perspective and a unique book. Bought for one of my students majoring in theatre.

This is a pamphlet of extremely practical advice without pretense on ANY stagecraft. Plus, an anecdote from Peter Brook is worth the price of ten copies. A must read.

Good books about theatre in general are rare, at least in my perspective. This book is one of the rare ones--it is thought-provoking, illuminating and inspiring. I read this at a time where I was somewhat burned-out on theatre, and it re-inspired me. Brook has a way of writing in general terms, but in a personal and interesting way. I would recommend this to anyone interested in today's theatre.

The book is as dated as Brook now is. But he sure had some interesting ideas. If you're into theatrical philosophy, you will probably enjoy the book.

Peter Brook is great director and innovator in the theatre and in this book he discusses the ways he and others view the theatre in its different aspects and also as a lifestyle.Filled with wonderful antedotes and so much useful information you'll want to read it twice to make sure you get everything out of it.I highly recommend this to anyone serious about the theatre, both in performing or directing.

La edición es en inglés y es un libro súmanme te contemporáneo para aquellos que quieran enriquecer su quehacer teatral

Excellent & nothing less.

Una obra de referencia para entender el teatro contemporáneo! Peter Brook, un grande!

PARFAIT. Ce livre est à offrir à tous ceux dans le création qui s'encombre d'un paquet de choses inutiles. Less is more!

Brook is generous to a fault as he invites us to understand the intricacies of producing good theatre. Like all art, it's almost impossible to define what is "good" art, but we can certainly recognise when it's bad - unless we are critics with an ulterior motive, or an academic impervious to the emotional content of a Shakespearean monologue. There are so many elements involved in bring off a great theatrical production that it is almost miraculous when it does happen, and those moments should be celebrated. Most of the time we can only admire the skill of the company in their striving to achieve this miracle.