Mullard 12AX7 Preamp Vacuum Tube, Single

I'm running 2 Heathkit model A-9B mono blocks as a stereo set. After careful research, I choose these Mullard preamp to replace the worn vintage RCA 12ax7 and 12AU7 tubes I had in these amplifiers. At the same time, I replaced Sovtek 6L6GC output tubes with the current production Tung-Sol 7581A tubes. I'm blown away. Despite these amplifiers being rated at 20 watts RMS, they are driving a pair of Boston A-360 speakers to fill my room with delightfully clear and brilliant sounding music. The bass response is powerful and clear, detailing all of the aspects of the notes whether from Steely Dan's punchy clean style, Chicago's flowing melodic style, or Yes with that distinct Rickenbacher/rotosound combination. For mids and highs, the horn section from Chicago is absolutely stunning through these tubes and the great guitarists playing psychedelic riffs with wa-wa pedals and electrifying leads have a clear and very sweet presence in the sound stage. The quality is both pleasing and exciting to listen to without a shred of harshness and without a single piercing note (you know, that occasional high note that feels like an ice pick to your set drum.) This pair of Heathkit amplifiers just went from sounding pretty darn good to sounding awesome in ways that very very few amplifiers could never touch. If you've ever heard a Marantz or McIntosh with tubes, we are in that arena of fidelity. I choose these Tung Sol 7581A power tubes for this application because of reviewers who criticized them for being too clean in a guitar amplifier. Given this excellent performance in my High Fidelity system, I would agree; these tubes contribute no discernable distortion which would make them undesirable in a most guitar amplifiers, but it makes them AWESOME in a home stereo! My choice of the Mullards for the 12AX7 and the 12AU7 tubes was based on similar research where the Mullards were being criticized as too clean for guitar amp service but praising the small Tung-Sol tubes for a sweet guitar amp tone. These Heathkit A-9B amplifiers were speced out for less than 0.1%total harmonic distortion at the rated 20 watt RMS output with less than 1% Intermodulation distortion and a flat response curve from 6 Hz to 50 kHz and a -70dB signal to noise ratio. With these tubes, I have no doubt these amplifiers are acting as good as or better that their impressive specs. 20 watts rms never sounded so powerful or moving! If you are considering a high fidelity retube, I very highly recommend this combination.

I put these into my new Pro-Ject Box S to compare to the ones it came with. The other pair I tried after these were matched Gold Lions. None of them are NOS unicorns; none sound poor either. These, however, are certainly the clear winners compared to the other two. Again, I'm aware that we're not comparing vintage NOS tubes made at historic plants of decades past. When you see glowing reviews about certain consistent high performers, (regardless of the make/manufacturer) a few characteristics seem to come up over and over. These tubes deliver on a lot of those benefits in my estimation. If you're someone like me, the curiosity spikes too high to resist "rolling" with a few different brands to get a better idea what's possible or what you might be missing. These were a very good buy to put it mildly. I will try to refrain from using the etherial jargon that semi-newb audiophiles best avoid. To quickly rattle off my own impressions with terms that describe the W O N D E R F U L difference this made: balanced, revealing, rich, clarifying, live-performance buzzy. Vinyl has a "warmth" of its own. But this brings another kind of warmth and, along with it, big big big detail and fuller mids without any buffering or softening that a 'warmth' might imply. I cannot get over how much bigger the soundstage is. The room feels bigger, the music is more natural (and musical), and the separation is better than you might even suspect your vinyl or hi-res music had the potential for. I'll update this if, for some reason, the Pro-Ject tubes that came with the amp are anything to update about.

Have it in V1 position, and paired with a Mesa 12AX7 at V2 in Bugera G20. So I originally had this one in the V2 position and the mesa in the V1. The sound was good and I would have probably kept it that way, but on a whim, I decided to swap the tubes around. Holy crap! I play all sorts of metal to include the newer stuff. I have also recently switched to seven string guitars. This is the gain structure that is meant for all things metal. It is so interesting to me how the sound of a tube amp can be effected by different tube brands. THIS combo in THIS amp though, wow. Guitarists know about this: it is just wonderful when you find a setup that works, or especially a setup that finally provides that "ideal" sound you have been looking for - it is sooooo satisfying. It is my understanding that this mullard tube isn't exactly a high gain tube. But I will say that, in the Bugera G20, this Mullard plays very nicely with the Mesa. You get all the compression and gain, but it is smoothed out and so very usable. So I guess overall I am saying that this is a great tube, and definitely a great tube for the Bugera G20 when used in the V1 position.

Worked perfectly in my amp

lot of people online say ''oh this reissue is nothing like the classic mullard" - as someone who owns the classic and just got this new one - they sounds as close as you could get them to sound. The reissue is designed to sound warm and tubey just like the classic.

I recieved a pair of the Mullard preamp tubes and installed them in my Vox AC15CC. The power amp tubes I am currently using are Sovtecs (until the Mullard EL84s arrive). I did not expect much other than mediocre performance; however, when I turned the amp on I was very surprised! Ealier breakup than JJs and a much more jangly British Invasion sound. The bass is very balanced and the articulation between strings when overdriven made me giggle with delight as I played "If You Can't Rock Me" (Stones) and You Shook Me All Night Long" (AC/DC). These tubes gave my AC15CC new life and it was very easy to adjust the tone and gain to find a sweet spot at a lower volume than I was accustomed to. I will stick with New Sensors Mullard Reissues from now on.

Very good tube. I got it to try in a champ build my son and I are building. I have tried it in a champ clone and it has pretty good break up and starts breaking up around 3 and has pretty good break up at full volume. Not sure it's worth all the hype and the extra cost. So far it's a great tube and I have several old stock tubes like the 1957 rca long black plate 12ax7 and sylvania, raytheon, hytron, G.E. and tung sol 12ax7's. Don't know if I would choose this over any of them. My 2 favorite tubes are the rca long black plate and the sylvania short grey plate 12ax7 so this tube has pretty big shoes to fill. Overall it's a good tube and works well in small (5 watt) and bigger (15+ watts) amps.

I have swapped out the stock tube on my Orange Micro Terror and tried a few tubes. I tried a Electro Harmonix 12AY7, which was a lower-gain, clean sounding tube. A Tung-Sol 12AX7, which was amazing, warm with plenty of gain, and I used it for a while until it burned after about 2 years. Then I got the Mullard, and I have to say it's my favorite of the lot. It just sounds clearer, to me. More detail. Maybe even warmer. Possibly slightly less gain than the Tung Sol, but there's still plenty on tap I've been using it for a year so far. Fingers-crossed it'll last longer than the Tung Sol

Qualidade sonora superior, som cheio, defino e grande palco sonora e detalhes. Vale cada centavo!

Ottime valvole

Schnelle und problemlose Lieferung.

I replaced the stock tubes from my Vox AC4TV with the Mullard EL84 and 12AX7 tubes. The stock AC4TV tubes were nice; slightly harsh for my taste but still very good. The Mullards I replaced them with make my amp sound less bright and a bit warmer - fatter mids & deeper lows. The Mullards make my Vox create a sound more suited to my tastes (Cream, Allman Bros., Grateful Dead, Hendrix, ZZ Top, AC/DC, SRV, Floyd, Who, Stones, Beatles, etc.). The 'new' sound of my amp has already exceeded my expectations. After a year, the Mullards are worked in and my amp sounds as thick n' juicy as ever. I can actually have the tone knob on my Tele at full treble without getting those piercing highs. I recommend these tubes.

Montées sur un pre ampli Pro-ject pour platine vinyle, qualité plus que remarquable par rapport aux tubes d'origine. Gain remarquable sur les basses sans perdre en dynamique ni en précision médium. Très satisfait du résultat son ma chaine hifi platine équipe d'une tête blue ortofon. Cher pour une lampe mais le résultat est là.