RØDE RØDECaster Pro II All-in-One Production Solution for Podcasting, Streaming, Music Production and Content Creation,Black

I'd heard so much about this audio production board over the past couple of years that I finally thought I should get one. As a longtime audio engineer, I honestly didn't think it could possibly live up to the hype. Only moments after setting it up, I realized how much this unit was going to simplify my life. With its intuitive, almost plug-and-play design, you can produce quality podcasts and audio recordings right out of the box. Of course, you'll need microphones, headphones, cables, and even a microSD card, but notwithstanding these requirements, this piece of kit delivers great audio quality. One area I'm still not sure about is its ability to sync a multitrack session in a DAW. Although there are video tutorials available, they don't match the behavior I'm experiencing. When assigning tracks, I have no reliable way of knowing what is what and end up having to guess. Microphones go to one channel, but the USB output isn't working for me in Audition. I suppose I may have to actually read the manual for this information. Otherwise, I'm very happy with this purchase! The unit has exceeded my expectations for ease of use and audio quality, even if I'm still working through some of the more advanced features. The latest firmware update includes a CallMe feature, a plugin by a third party developer that is free in the upgrade. You are able to connect to other RodeCaster Pro II's or RodeCaster Duo's for crystal clear calls. Really, this feature alone has upgraded my remote podcasting capabilities like nothing else!

The RØDE RØDECaster Pro II is hands-down one of the best pieces of gear I’ve ever bought for content creation. Calling it “all-in-one” almost undersells it — this thing replaces a mixer, interface, sound board, and a chunk of your software chain in one clean, professional unit. The preamps are seriously impressive. My mic sounds fuller and cleaner than it ever did on my old interface, and I don’t have to crank gain or fight noise. The built-in processing (EQ, compression, noise gate, de-esser) makes it easy to get that polished “radio/podcast” sound without spending hours tweaking settings. Workflow-wise, it’s a dream. The touchscreen is fast and intuitive, everything is laid out logically, and the pads are perfect for intros, sound effects, stingers, or quick transitions. It makes recording feel effortless, whether you’re doing podcasts, streaming, voiceovers, or YouTube narration. It also handles multiple sources like a champ — mics, headphones, phones, computers — and it just works without the usual headache of routing and troubleshooting. The build quality feels premium, and it looks like pro gear because it is. If you’re serious about audio and want a setup that levels you up immediately, the RØDECaster Pro II is worth every penny.

I had high hopes for the the RODECaster Pro. It seemed like the Tricaster of audio. What I love: multi track w/polyewav files, one button Bluetooth, presets, USB in/out w/mixminus, 4x headphone amplifier, onboard SD record, soundFX banks... And while it clearly has the onboard ability to process audio, it falls short on a critical function that would take it to the next level: EQ. I assume in an attempt to make it very user friendly, deep, medium, high voice or soft, medium, strong tone/strength settings are a good first start, but not having the basic three frequency (12kHz, 2.5kHz, 80Hz), even as an advanced menu, is disappointing. They have such a beautiful touch screen to implement it on. I don’t use a rode mic (had an existing supply of heil PR40s that sound phenomenal with a mackie mixer) and so I’ll be forced to address it in post. Most might do that anyway, but this could be a great on the run solution and good enough with some simple advanced tweaks. I’d like to try a Rode mic at some point as I assume their presets are fine tuned. I suspect the voice strength relates to initial level or perhaps noise gate, but not sure. The noise gate is a little harsh, but I can understand why they don’t have a release setting. I hope they add it. Would I recommend getting this? Yes. I think it has an amazing potential and I’m not sure why this feature set isn’t built into more entry level mixers. They nailed it and sold me. I just need to figure out how to navigate the mic and it may mean more time in Logic/post, which I hoped I could skip most of the time. As budget and time allows, I may test with Rode microphone and report an update and give more stars. I’m hoping some of these features are added the way they added multitrack before I purchased. It was the higher priority and at least gives a workaround. UPDATE: 4-15-20 - 5 stars After 7 months using the Rodecaster Pro I am updating to 5 stars with the release of Version 2.1 Public Beta. We have produced 26 episodes of Science and Saucery podcast now along with many other audio programs and I kept an open mind the entire time. It's really been easy to use and post processing in logic has be easy once the show template project was tweaked and finished. We've used all the channels and from phone integration to multitrack input, this thing has been a workhorse with no downtime. After just an hour on the new software, which addressed all the issues I had by adding controls for the onboard compressor, noise gate, de-esser, aphex processors (aural exciter/Big bottom), and low pass filter. They also added reverb, which I don't need, but perhaps they will continue to add other audio features in the future. The new dBFS with peak hold monitors are also really nice. There is an overdub mode for existing recordings, but this isn't something I need. I expect some will like it. The record now allows select pre/post fader record. I wish it would record both of these at the same time as all my workflow is set up for pre fader record. Hope to update again after some solid working time. It's beta, so I expect some bugs, but I am willing to accept that and extremely happy that Rode has continued to improve this product.

As someone brand new to podcasting, I couldn’t be happier with the Rodecaster. It’s incredibly intuitive—right out of the box, I was able to start recording without feeling overwhelmed. The interface is clean and user-friendly, making it easy to navigate even for beginners. The audio quality is crystal clear, which instantly elevated the professionalism of my episodes. Built-in sound pads, voice effects, and seamless integration with mics and headphones make the whole experience smooth and fun. I especially love how everything I need is in one place—no juggling multiple devices or software. If you're just starting out or looking to simplify your setup, the Rodecaster is a fantastic investment. It makes podcasting feel effortless and exciting!

Love it. Makes all the difference in my podcast setup at home

Tuyệt Vời 5 Sao

Unit arrived quickly and in excellent condition. I researched the Duo before buying and this little brother is everything that the big brother Rodecaster Pro II unit is. Only 2 XLR mic inputs vs 4 on the pro, but research it to make sure it's the right one for you. At any rate, it's a powerhouse for those looking to beef up their streaming/podcasting/YouTube game. And it looks awesome too as a bonus.

(Review updated June 4, 2023) When it comes to anything technical about the device: if you can't find it on the site, safe to just assume they won't tell you. Sometimes it would be nice to know just a little more about the internals but each time I ask I'll get a generic response about not being able to provide this information. For a technical product this is a bit of a bummer and I hope that changes and they become more open with developers. This includes innocent things like what Bluetooth codecs it supports. They've built this on the hard work of others who contributed to opensource software and Linux but Rode themselves are currently not so eager to do the same. They have many YouTube videos showing the insides and features, but it's all secretly just self-promotion bragging about how revolutionary everything is and how they've started from the ground up. WITH THAT SAID they're one of few companies that actually pick up a phone and talk to you. So while they may not give me the technical details I want, at least they're not completely hidden from view and impossible to reach. The people you can reach by phone have always been friendly. UPDATES AND BETA FIRMWARE This has a lot going for it as an almost standalone unit. The vendor is still releasing updates regularly, and even without the updates it works right out of the box. However I really wish they would be more open about the technical stuff. To get at most of the fun stuff, you'll need to run the BETA firmware they offer. If you run this, they won't even attempt to support you or accept your bug reports. BLUETOOTH The Bluetooth (when connected to mobile) stays connected but after many hours the actual audio portion of it crashes. Because everything like logs are hidden from view you'll never know why. The only way to get audio back is restarting the device. I've tried several Android phones at this point and all the same issue. The "Disconnect Bluetooth" button on the RCP becomes non-responsive. The audio supported by Bluetooth is basic, low quality and has a lot of latency as you would expect when using the cheapest possible Bluetooth hardware. If you plan to use Bluetooth for mobile audio I would just reconnect it at the start of each day and you're likely fine. For me this is annoying because I forget to do this and it's only a matter of time till the connection drops. If you need better audio from a mobile device just connect it directly using the audio inputs. ACCESSORIES Getting your hands on accessories (like the dust cover) is was nearly impossible in Canada except as a special order item or shipping from cross-boarder. Might I suggest B&H (who I believe also might sell on here). SLIDERS Overall the sliders feel great but I think they missed the boat when omitting motorized sliders like other streaming products. They're ahead of others by featuring nice metal components here but regardless there's something magical about seeing them move on their own. NETWORKED: BUT IT'S NOT FOR YOU It's online for whatever reason (firmware updates supposedly needing this 24/7 online access... what?) but there's zero fun you can have with that. You can't control anything remotely, there's no public API, and basically zero information about it. If you ask about it you'll get a canned response. If you want to do anything using their software it'll take place over USB and proprietary software. LINUX SUPPORT As of Ubuntu 23.04 I was able to get both Main and Chat working with Pulse at the same time without needing extra hardware or hacks. I don't know who to thank for this since Rode won't comment, but a huge thank you to whoever solved this!

Questo mixer a differenza di tutti i suoi concorrenti ha dalla sua una ergonomia e una praticità indubbiamente superiori, che lo rendono insuperabile anche nei live streaming. Le prestazioni audio sono ottime in qualunque situazione, ha un guadagno microfonico sufficiente per la maggior parte dei microfoni a condensatore, forse l'unica eccezione è rappresentata dallo Shure Sm7B per il quale potrebbe essere necessario un pre esterno. Il set di effetti interni non fa rimpiangere strumenti dedicati sia hardware che software, sono presenti un compressore, un deesser un noise gate e un paio di effetti di equalizzazione della gamma bassa e alta e dei preset per modelli specifici di microfoni Rode e di altre marche. Al momento in cui scrivo perché vengono aggiunti sempre nuovi effetti.. I continui aggiornamenti firmware ne fanno anche un apparecchio longevo da tutti i punti di vista. Il grande display frontale è touch quindi tutto viene comandato con un semplice tocco. Oltre a 4 ingressi microfonici (XLR) è possibile utilizzare anche uno smart phone, una porta usb per il pc, un ingresso bluetooth, tutti effettabili e mixabili in tempo reale. Più gli 8 pad per musica ed effetti liberamente editabili. Ha quattro uscite cuffia più una sul frontale e l'uscita preamplificata per monitor attivi o amplificatori. Ha uno alot di memoria sd per le registrazioni che possono essere o stereo o multitraccia. La descrizione potrebbe continuare molto perché ci sono moltre altre feature interessanti, chi fosse interessato non ha che da guardare il sito del produttore. Comunque lo possiedo ormai da quasi un anno ed è il miglior acquisto che abbia mai fatto per il mio studio di registrazione.